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"This volume assembles leading Near Eastern art historians, archaeologists, and philologists to examine and apply critical contemporary approaches to the arts and artifacts of the ancient Near East. The contributions in the volume, which include a comprehensive first chapter by the editor and twelve paired chapters (each of which explores a key theme of the volume through a specific case study), are divided into six sections: Representation, Context, Complexity, Materiality, Space, and Time / Afterlives. A number of sub-themes and questions also thread through the volume as a whole: how might art historical, archaeological, anthropological, and philological approaches to the Near East complement and inform each other? How do word and image relate? And how might the field of Near Eastern studies not only adapt and apply approaches developed in other fields but also contribute to critical contemporary discourses? The volume is unified both by the themes that thread through it and by the comprehensive first chapter in the volume, which explores the status of Near Eastern arts and artifacts as simultaneously non-Western and ancient and as neither of these, and which provides a larger theoretical framework for issues addressed in the volume as a whole"--

Art, Ancient --- Art objects, Ancient --- Art and society --- History. --- Middle East --- Antiquities.

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Art objects, Egyptian --- Art, Egyptian --- Art --- History --- Collectors and collecting --- Egypt --- Rome (Italy) --- Antiquities --- Relations --- Civilization --- Egyptian influences. --- Art, Roman --- Mural painting and decoration, Roman --- Rome

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Marian Goodman Gallery is very pleased to present the first historical exhibition of Multiples, Inc., the art publishing company founded by Marian Goodman and a few partners in the 1960s. The show, curated by Dieter Schwarz, will open on Tuesday, January 12, 2021 through Saturday, February 27, 2021 and will be accompanied by a complete catalogue of the editions. During its existence, Multiples, Inc. published seminal editions with some of the most important artists of the 20thcentury over a period of almost three decades between 1966 and 1992. The exhibition at the Marian Goodman Gallery New York gathersfor the first time a selection of over 150 editions published by Multiples, Inc. in collaboration with over 70 artists. On view will be works in a broad variety of media ranging from objects, works on Plexiglas, jewelry, and furniture pieces to an extensive selection of prints, portfolios and artist books.Multiples, Inc. was founded in 1965 in New York by a group of five partners, some of which had already been producing editioned banners with contemporary artists as part of the Betsy Ross Flag and Banner Company. Multiples, Inc. opened its first gallery on Madison Avenue (close to 74th Street), where it exhibited its own editions as well as those of various other U.S. and European publishers. In 1966, Multiples, Inc. published its first portfolio, Four on Plexiglas, with works by Philip Guston, Barnett Newman, Claes Oldenburg, and Larry Rivers. Foreword by Marian Goodman. Essay: Dieter Schwarz, Samuel Wagstaff Jr., Harold Rosenberg.Exhibition: Marian Goodman Gallery, New York, USA (12.01. - 27.02.2021).

Art --- prints [visual works] --- multiples --- anno 1960-1969 --- anno 1970-1979 --- anno 1980-1989 --- anno 1990-1999 --- Zeitgenössische Kunst --- Multiples, Inc. --- Bildende Kunst --- Multiples --- Marian Goodman Gallery --- Art publishing --- Multiple art --- Multiples, Inc. (Art publisher) --- Multiples Gallery --- History --- Art galleries, Commercial --- Art, Modern --- Multiple in art --- Art objects --- Copy art. --- Reproduction. --- Marian Goodman Gallery. --- Multiple art. --- Pop art --- Art publishing - 20th century - Exhibitions. --- Multiple art - United States - Exhibitions. --- kleinsculptuur

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The nineteenth century was a period of science and imagery: when scientific theories and discoveries challenged longstanding boundaries between animal, plant, and human, and art and visual culture produced new notions about the place of the human in the natural world. Just as scientists relied on graphic representation to conceptualize their ideas, artists moved seamlessly between scientific debate and creative expression to support or contradict popular scientific theories, such as Darwin's theory of evolution and sexual selection, deliberately drawing on concepts in ways that allowed them to refute popular claims or disrupt conventional knowledges. Focusing on the close kinship between the arts and sciences during the Victorian period, the art historians contributing to this volume reveal the unique ways in which nineteenth-century British and American visual culture participated in making science - and in which science informed art at a crucial moment in the history of the development of the modern world. Together, they explore topics in geology, meteorology, medicine, anatomy, evolution, and zoology, as well as a range of media, from photography to oil painting. This volume reminds us that science and art are not tightly compartmentalized, separate influences, but rather fields that shared forms - manifest as waves, layers, lines, or geometries - and invest in the idea of the evolution of form.

Art victorien. --- Art et sciences --- Illustration scientifique --- Art, Victorian. --- Art and science --- Scientific illustration --- Art, Victorian --- Natural history in art --- Arts --- Medical illustration --- Culture --- Science --- Art objects --- Objectivity in literature --- Architecture --- Communication visuelle en sciences --- Illustrateurs scientifiques --- Illustration en sciences naturelles --- Objectivité. --- Sciences --- Sciences naturelles --- Art --- Objets d'art. --- Illustration médicale --- History --- Philosophy. --- Aesthetics. --- Esthétique. --- Dans la littérature --- Histoire. --- Burne-Jones, Edward Coley, --- Hughes, Arthur, --- MacDonald, George, --- Burne-Jones, Edward Coley --- MacDonald, George --- Great Britain --- Grande-Bretagne --- Scientific illustration. --- Science. --- Objectivity in literature. --- Natural history in art. --- Medical illustration. --- Culture. --- Arts. --- Art and science. --- England. --- Victorian art --- Art, Modern --- Science and art --- Illustration, Scientific --- Science illustration --- Scientific literature --- Illustration of books --- Drawing --- Technical illustration --- Arts, Fine --- Arts, Occidental --- Arts, Primitive --- Arts, Western --- Fine arts --- Humanities --- Illustration, Medical --- Medicine and art --- Cultural sociology --- Sociology of culture --- Civilization --- Popular culture --- Architectural aesthetics --- Aesthetics, Architectural --- Aesthetics --- Bric-a-brac --- Objects, Art --- Objets d'art --- Decoration and ornament --- Decorative arts --- Object (Aesthetics) --- Antiques --- Natural science --- Natural sciences --- Science of science --- Illustration --- Scientific applications --- Social aspects --- Angleterre --- Anglii︠a︡ --- Inghilterra --- Engeland --- Inglaterra --- Anglija --- England and Wales --- 1800-1899